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Tips for shooting great videos
More tips
By Little Dream Pictures
1. Buy as good a camcorder as you
can afford.
A digital camcorder in the mini-DV format is your best bet.
Sony and Canon have the best models. If you find mini-DV too
expensive, go to the Hi8 format. You will still get
excellent results. Nevertheless, even an entry-level mini-DV
camera produces an image noticeably superior to Hi8.
Probably the most important feature in a consumer video
camera is image stabilization. This is a technology that
keeps the image steady, especially with a long zoom, even
though your hand shakes a little bit. Sony usually employs a
software approach to stabilization. Canon typically builds a
mechanical one right inside the lens elements. Both work
equally well.
Almost every mini-DV camera currenly made has image
stabilization, but check to be sure.
By the way, if you do use an older, non-digital camcorder
like Hi8, 8mm or VHS-C, turn off the time-date stamping.
(That is when the camera records the date and time right on
the picture.) It looks horrible in a produced movie and is
terribly distracting. And it's permanent. So do without it.
(This is not an issue with digital camcorders like mini-DV,
where time and date information is recorded on a separate
video track.)
2. Newer camcorder formats have
recently been introduced. Avoid them.
These include models that record directly to DVD, built-in
miniature hard drives, or removable media. Unfortunately,
they all require heavy in-camera compression of video data.
That is destructive. So, when it comes time to edit your
video, a great deal of quality has been lost.
That's not the case with mini-DV. As a technology, it may be
a few years old, and it may have lost some its sex appeal,
but it remains king.
3. Resist the temptation to use
built-in special effects.
Your camera may have come with built-in extras like the
ability to shoot in black and white, sepia tone, split
screen, reverse motion, psychedelic colors, and other
effects. They are there for marketing purposes. Don't use
them. They are destructive. There is no way to undo them.
Shoot your video in its pure state. If you are hell-bent to
see the scene of your high school reunion rendered as a
moving impressionist painting, let us know. We can do it in
post-production without ruining your original footage, just
in case you change your mind. Which you will.
4. Go easy with the zoom.
Try not to zoom in or out too much during a scene. But don't
lose a shot by avoiding zooming altogether. Just do it as
gently as possible. And, once you have zoomed in or out,
hold that view for a few seconds.
By the way, forget about your camera's digital zoom.
Manufacturers love to trumpet how a camera has a 200x
digital zoom on top of the 10x or 20x optical zoom. It is
hype. The only thing that counts is the optical zoom, which
is determined by the physical elements of the lens. Most
cameras have about the same range of optical (physical) zoom
lenses.
Digital zoom is simply a program in the camera that enlarges
the image by interpolating pixels. It looks horrible. Don't
use it.
5. Shoot from a variety of angles.
Vary the scene. Once you know you've gotten the shots you
wanted, move around. Shoot from the sides, from behind, from
on high and down low. Keep the camera running while you move
around. The video may be useless, but the audio could be
valuable to us in building the scene to tell the story.
6. Pan slowly.
Panning is the movement of the camera from side to side.
Take it slowly. Don't jerk back and forth during the pan. If
you make a mistake, start all over again. Hold the shot
steady for a few seconds before you start the pan. Hold it
steady for another few seconds when you are done.
7. Hold shots for about 10 seconds.
This is particularly important for scenic or vacation
shooting. If you've got a great shot of the Eiffel Tower,
count to ten while you are recording it. Remember that
you're not taking a snapshot. Once you've got it, see Tip
#5. Shoot it again from another angle. Get a closeup. Get a
wide angle. Variety is a key ingredient to movie-making.
8. Get "establishing" shots.
Establishing shots are scenes that tell viewers where they
are. So, if you are taping on a family vacation to Disney
World, get a few shots of the entrance or of Mickey Mouse
greeting people when they arrive. If you forget to get them
on the way in, get them on the way out. Any number of images
can work to establish a scene. Signs work well, but it is
also fun to be a bit creative.
9. Beware of backlighting.
A backlit scene is one where there is a bright light behind
the main action. Picture a bride and groom standing on a
stairway in front of a large window on a bright sunny day.
Uncorrected, your camera's light meter will probably try to
expose the scene so that you can see what is outside the
window. As a result, it will darken the whole image, leaving
the bride and groom lost in shadow.
Some cameras have a prominent built-in backlight correction
button conveniently located in the controls. When you
activate it, you are telling the camera to overexpose the
scene so you can see, in this case, the bride and groom
(there will be no detail in the window). This is a very
useful feature.
If your camera lacks this feature, you may want to learn
from the manual how to do it by hand. Video cameras are
pretty easy to operate. Most people don't read the manuals.
Usually, you don't need to. In this one case, it may be a
good idea.
10. Turn off the tally light.
The tally is the red light on the front of your camera that
comes on when you press the Record button. Every camera I
know of gives you the ability to turn it off. (Sorry –
another trip to the manual!)
Generally, you will get better video the more you are
unobtrusive. There is something about that red light that
makes a lot of people self conscious of being videotaped.
Turn it off |
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