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HOW TO STORE A SOUND OF LIFE?
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You can do that by making audio clips. By using
Voice Changer Software Diamond software, your voice is changed into hundreds of different voices such as male voice, female voice, baby voice, teen voice, old voice, animal voice...
Along with Music Morpher Gold, you can turn soulless audio sound into funny sound using Frequency Morpher, Graphic Equalizer, Noise Reduction or Limiter filter. Record sounds, add effects, change pitch and timbre, save, cut, paste the expected sound wave, and do much more things with these audio clip maker tools.
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AUDIO CLIP LIBRARY: Enjoy the sound of life
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Let have a look at the following list and choose a sound for today. You can use those audio clips to make special audio files and video files up to your talent. |
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Audio Clip library: |
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This page is not only for our demonstration but also for you to share many audio clips. We believe in your talent and wait for your special products. Let's make our library richer every single day.
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Sacred Sound Therapy for Healing, Spiritual Growth and Meditation
This page is not only for our demonstration but also for you to share many audio clips. We believe in your talent and wait for your special products. Let's make our library richer every single day.
From Aerosmith to Pavarotti -- How Humans Sing
How Does The Singer's Voice Produce Those Amazing Sounds?
By Ingo R. Titze
Although the human
vocal system is small, it manages to create sounds
as varied and beautiful as those produced by a
variety of musical instruments. The question is: How
can singers produce all those remarkable sounds?
All instruments, including our singing voices, have
a sound source, a resonator that reinforces
(amplifies) the basic sound and a radiator that
transmits the sound to listeners. In people, the
source is vibrating vocal folds (vocal cords) of the
larynx or voice box; the resonator is the
sound-boosting airway above the larynx; and the
radiator is the opening of the mouth.
The human voice can create an impressive array of
sounds because it relies on non-linear feedback by
which a small input can result in a
disproportionately large output. One of the voice’s
more effective nonlinear mechanisms is inertive
reactance, whereby singers create special conditions
in their vocal tract to amplify sounds generated by
the vocal folds.
To better understand the complex phenomena that
produce the incredible sounds acclaimed vocalists
demonstrate in the following sound clips and
elsewhere, take a look at my article—The Human
Instrument—in the January issue of Scientific
American.
SOUND CLIPS
Steven Tyler
Steven Tyler, lead singer of the rock band Aerosmith,
is celebrated for his ability to scream tunefully.
Here, he produces several interesting vocal effects.
Tyler first uses some inharmonic (noise-like) sounds
to match the timbre of his voice to percussive
instruments. He also demonstrates a “flip” into
falsetto register, but later employs a bright vowel
on the word “same” to continue his belt-like voice
(as in “belt” it out) into a high pitch.
Georgia Brown
Georgia Brown is a Brazilian pop singer who is noted
for her wide vocal range (eight octaves) and is thus
classified as a full dramatic coloratura soprano. In
this example, she is likely using inertive reactance
in her vocal tract to reinforce a very high-pitched
whistle voice that she creates with her vocal folds.
No vowels are heard because the pitch sits above the
first two vocal-tract resonances that define
(perceptually) what a vowel is.
Rollin Rachele
Rollin Rachele is one of the world’s foremost
overtone singers, a technique in which a person
vocalizes two notes simultaneously. Overtone singing
and related techniques are most widely recognized in
the Tuvan, Mongolian and Tibetan cultures. Rachele
never uses the fundamental frequency to change
pitch. Rather, he maintains the fundamental
frequency as a constant drone, then applies varying
vocal tract shapes to resonate a single harmonic of
this drone at any one time. By skipping from
harmonic to harmonic he can play a tune with these
high frequencies, also known as overtones.
Joan Sutherland
Dame Joan Sutherland, the renowned Australian
operatic soprano, knew instinctively that some
vowels cannot be used when singing certain pitches.
In this case, she uses a less open mouth shape in
her middle pitch range than she does in her high
pitch range. One vowel, for instance, sounds more
like “oh” in the middle and “ah” at the top.
Sutherland alternates between an inverted megaphone
(horn-like) shape and a megaphone shape in these
vowels to reinforce the sonic energy produced at the
vocal folds.
Ethel Merman
On stage, Broadway musical star Ethel Merman belted
out songs with precise enunciation and pitch so
audiences could hear her even without amplification.
Here, she uses bright vowels with high
first-resonance frequency to make optimal use of
inertive reactance. Pay particular attention to the
vowels she uses in “everything,” “roses,” “for” and
“me.” The vowels all suggest that she employs the
horn-like megaphone vocal-tract shape. But unlike
Joan Sutherland, Merman uses the megaphone shape in
the middle of her pitch range to reinforce the
second harmonic. Sutherland, in contrast, makes use
of the megaphone shape only on very high notes to
reinforce the first harmonic. Neither female
vocalist sings true speech-like vowels.
Luciano Pavarotti
Luciano Pavarotti, the recently deceased Italian
operatic tenor, is famed for the brilliance and
beauty of his tone. In this example, he uses a vocal
production in his high notes that is similar to that
which Ethel Merman uses in her mid- to high-pitch
range. The male high voice has a strong second
harmonic as does the female belt voice. But
Pavarotti widens his pharynx (the airway above the
larynx) more, producing an additional ring in the
voice, while downplaying the more typical twanging
sound. As far as timbre is concerned, ring sounds
match better with bowed string and woodwind
instruments, whereas twanging sounds match better
with brass and percussion instruments.
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